'After much effort and support from so many composers and publishers it was unfortunately not enough to get elected onto the board of PRS this year. I came forth out of seven in a race to fill just two positions. My humblest and heartfelt thanks go to all of those who voted for, and proposed me, and watch this space for what happens next.'
Twelve Months of Close Study Reveals...
As a rather sad and regrettable coda to this posting Humph wanted to propose Paul Farrer's candidacy for the board but was told by PRS that he was not a full member and therefore did not have proposal rights. This has since turned out to be completely incorrect and Humph was indeed a full member. The news came tragically too late.





An open letter to PRS from Liz Bennett – Children's TV Composer
23rd June 2007
On their website PRS tells us that the television distribution policy is being changed
because the value of a broadcast minute has been falling steadily over the last few
years and the change will prevent the value falling further.
I cannot for the life of me see how the problem of falling revenues can be solved
or even partially solved by introducing a policy that simply rearranges the
allocation of the money available, taking away from some in order to give
more to others. Even PRS's own examples on the website show that far from
preventing the value of a broadcast minute from falling, the result of this
distribution change will mean a further fall in value for all music
broadcast during non-primetime. In this case the policy change is not
stopping the fall - it is accelerating it.
The new policy is particularly unfair to composers who specialise in music
for children's programmes since much of this output is scheduled before 6
p.m. Having worked for many years on music education programmes, I am well
aware of the important role music can play in the emotional and physical
development of young children. Makers of children's programmes understand
music's valuable contribution and generally take pains to make sure their
music helps children's understanding and encourages positive responses from
them. Whatever you think of Teletubbies, for example, it would have been a
far less effective production without its fresh and imaginative music
created specifically to appeal to young children. Is PRS really ready to
under-value children's music?
Liz Bennett
Sound on Sound Magazine Coverage
22nd June 2007
Sound on Sound - one of the World's finest music/pro audio/recording magazines has kindly given us some coverage in their Sounding Off page. Here Paul Farrer puts the Composersforafairdeal side of the argument and PRS provide some interesting reponses
Our thanks go to SOS's illustious editor Paul White for giving us this forum for a free exchange of ideas and for allowing us this debate. If only PRS had felt the same...
The Consultation That Never Was


19th June 2007
PRS maintain there was a consultation with members before the board voted on this issue.
The 120 or so members in attendance enjoyed an employee of PRS kicking off proceedings with a powerpoint presentation. During this presentation he played a clip of the ITV show ‘The Mint’ and made some derogatory comments about the show – we can only hope that the composer wasn’t in the meeting sitting alongside his peers having his work ridiculed in this way. He then laid the blame for all of our problems at the foot of this show (and others just like it) and told us that this was the reason our fixed point values are going down on ITV. The floor was then thrown open for debate but only after we were expressly forbidden from even discussing the blanket license agreement. That’s right in our own boardroom PRS members were forbidden from EVEN DISCUSSING asking a broadcaster that is using more of our music than ever for more money.
Would you call this a free, fair, wide-reaching and open consultation? Neither would we.
The Case of the Missing Impact Data...
15th June 2007
PRS has repeatedly claimed that the primetime subsidy will benefit the vast majority of its members, yet it has failed at every opportunity to provide the data as to the numbers of composers who will suffer an overall loss (across all their TV PRS earnings) or enjoy an overall gain. The Board simply took the decision, denied the membership all the crucial information, and hoped everyone would agree with them. To enjoy a gain, you have to have a ratio of less than 3:1 non-primetime to primetime minutes, and that, we think all will agree, is most unlikely to include the "vast majority" of PRS-member composers, which begs the question…. who is this subsidy for? Please, PLEASE, we urge all of you who have shown your support so far to get all the PRS members you know to sign this petition before the AGM on 28th June!
June 11th 2007
Composers for a Fair Deal Gets National Coverage


Private Eye have taken up the campaign and kindly given us a very supportive write up in the latest issue. Thanks to everyone involved for your support and of course thanks to the team at Private Eye.
